"The Vengeance of Yig"

by Lin Carter
originally published Weird Tales #4, 1983

Z'hu Gthaa, savant of the Ninth Circle, a resident of ancient K'nyan, is unhappy because his fellow K'nyan-ians would rather lounge around and engage in kinky sexual practices than indulge in the obviously more pleasurable act of studying the lore and magic of the ancient serpent-people of Yoth.  

Z'hu is determined, among other things, to learn why the serpent-people abandoned Yoth for other parts of the globe, after taking up the worship of Tsathoggua over Yig, their original deity of choice.  To this end, he descends into the even-more-subterranean-than-K'nyan region of Yoth.  There he soon finds the ruins of the serpent city of Zzoon.  Hieroglyphs there lead him even further, to a place called Ngoth, which turns out to be a big pit surrounded by megaliths.  While farting around in Zzoon, he is constantly menaced by giant snakes which take out several of his pack animals and slaves.

The hieroglyphs on the stones tell him the rest of the story.  The serpent-people didn't leave.  Yig revenged himself on them for turning to Mr. Toad-Blob, and turned them all into giant snakes.  The same giant snakes that have caused Z'hu all this trouble, and are now closing in on him, outnumbering his party vastly, as his atomic gun weapon runs out of charges...

Even by Lin Carter standards, this isn't much more than a throwaway; another Smith pastiche, this time set in the subterranean lands Lovecraft invented in "The Mound."  There's not much of a story here and the whole thing seems almost tongue-in-cheek.

"The Lair of the Star-Spawn"

by August Derleth and Mark Schorer
originally published Weird Tales, August 1932

Eric Marsh is part of a scientific expedition in Burma, c. 1902, in search of the legendary city of Alaozar, to be found on the Plateau of Sung.  Things haven't been going easily, esp. since the natives are reluctant to provide guides, due to fear of the "Tcho Tcho" people said to live on "the Lake of Dread."  In proper early 20the century style, the explorers have dismissed their fears and soldiered on.

Do I have to point out this was a bad move?

Marsh has to break ranks and briefly return to the camp they've left behind because the chowderhead expedition leader didn't remember to pack all his stuff.  This happens to save Marsh's ass since, as he's riding back to join his buds, he hears a lot of screaming and, hiding in some bushes cuz he realizes he can't do anything to stop it, he watches them get slaughtered by a bunch of pygmies aka the Tcho Tcho's.

With his team slaughtered, Marsh decides there's no point in going back, so instead he rifles the bodies (the Tcho Tchos took all the tools and weapons but left the food and water - and since they took the shovels, he can't even bury the bodies) and sets off to find the lost city all by hisself.  He does briefly stop to consider what's just happened with "grief mingled with fear", just so's we know he's not a complete idiot or asshole.  Even though he obviously is both.

Marsh makes his way to within sight of the city itself, which isn't too difficult since the city is shooting beams of white light into the sky.  Marsh settles down to make camp but is jumped by Tcho Tchos and wakes up in a nice soft bed in Alaozar. He's greeted by Dr. Fo-Lan, a Chinese scientist who was thought to have died some years ago.  In fact, Fo-Lan's been a slave of the Tcho Tchos all this time, forced to help them unleash some awful terror upon the world.  Fo-Lan tells Marsh that now, the two of them can thwart the Tcho Tchos sinister plans.

Fo-Lan leads him down a secret passage, where they watch the Tcho Tchos bow down to their leader, the priest E-Poh ("he is seven thousand years old" says Fo-Lan), and the tentacle-lump monster that lurks in the shadows, which Fo-Lan informs him is named Lloigor.

Fo-Lan asks Marsh to watch his body while he astrally projects to get help.  This goes off without a hitch.  Once back in flesh, Fo-Lan informs him that he must convince E-Poh to open the gates to Lloigor and Zhar (Lloigor's twin, buddy, girlfriend, whatever), at which time "the Star Warriors" can come and save everyone's bacon.

Fo-Lan goes to E-Poh and tells him that Zhar sez the Tcho Tchos must summon Lloigor and Zhar from the city, while he and Marsh go out onto the plateau and do a ritual of their own.  Despite displaying a couple of seconds of incredulity that Zhar would communicate with Fo-Lan and not him, E-Poh, who obviously hasn't learned much in his 7K years, is down with it but sends four Tcho Tchos to accompany them.

They ride out onto the plateau, and Fo-Lan and Marsh promptly kill the four Tcho Tchos.  Giant, flaming humanoid figures bearing tube-like weapons descend from the sky and whack the city of Alaozar but good.  Satisfied, Fo-Lan and Marsh return to civilization.

Man ... y'know sometimes you come across something that's so bead it makes your head spin!

Last time I read "Lair", I was 15, and I remembered it as a slightly dumb but spooky and fun actioner.  It's actually neither spooky nor fun, not much action and more than slightly dumb.  The story goes that Derleth was outlining the plots and Schorer writing the prose, which scans since the writing is blander than skim milk and shows little or none of Derleth's usual style.  The story also goes that Derleth/Schorer weren't exactly best buds, and I'm left to entertain myself by thinking that Auggie must've been pissed at Schorer the night he left him this crap plot.  Seriously, not a single character makes an intelligent or even logical decision in the whole thing.  A scientist, an explorer, and 7,000 year old high priest and not a one of them has a clue between them.

The geek squad would rate this story "important" I suppose since it introduces the Tcho Tcho people (who T.E.D. Klein would do more interesting things with) and Lloigor and Zhar, who Derleth himself (and Colin Wilson, sorta) would do more interesting things with.  In the end, this is a bit of pulp throwaway without much to recommend it.

"The Horror from the Depths"

by August Derleth and Mark Schorer 
originally published Strange Stories, October 1940 (as "The Evil Ones")

While dredging a lake for the Chicago World's Fair in 1931, workman turn up a couple of strange specimens -  what appear to be the arm or tentacle, and perhaps the head, of some large, unknown species.  Chief Engineer John Tennant, our narrator known only as "Sharp", and Prof. Jordan Holmes of the field museum study these odd things, and insist on calling them "fossils", even though there's clearly nothing fossilized about them.  They are however, boneless. Holmes also calls them "bloodless" even though they ooze greenish-black goop which, y'know, sounds like blood to me (sort of).  

One other interesting factor - the specimens change - throwing out new tendrils or tentacles, but only when no one's watching.

Sharp gets an urgent call one morning from Holmes, saying he's on his way to pick Sharp up and head for the museum - "something highly out of the ordinary had occurred.  En route, Holmes tells him that just before dawn, he received a phone call from the museum.  He was unable to remember what the caller said, but he remembers "someone screaming ... horrible babbling sounds ... a sucking noise ... someone whistling..."  Instead of doing anything about it there or then, he just went back to bed!

( Now, I have to stop here and note that I'm torn between pointing out that this is one of those hilarious lapses of logic and common sense that periodically occur when Derleth heads up to Lovecraft country - I mean, seriously - you get a call from the office at dawn with someone screaming, babbling sounds, sucking sounds, etc ... and you go back to bed???? But then again ... you get a call from the office at dawn with someone screaming, babbling sounds, sucking sounds, etc ... so fuck it, you go back to bed.  Maybe Holmes isn't so dumb after all.  Perhaps this is the Lovecraftian equivalent of Peter in Office Space leaving his answering machine on to take message after message from his insufferable boss)

Well, at the museum the guard is unsurprisingly dead and mangled.  And the glass case that had contained the specimens is shattered, and the specimens gone ... though they've left some bits of themselves behind for a touch of grossness.  Holmes and Sharp sit around thinking about what these gloop-monsters might actually be.  Then they meet rather pointlessly with some other eggheads in which everyone decides that they don't know what the hell is going on.  Meanwhile, another mangled body turns up in Grant Park.  Oops! 

They wander off to Grant Park and check out the crime scene with impunity, noting especially the weird giant tracks that come up out of, then return to, the lake. As a group, they decide the best thing to do is to just hope the beastie won't come out again, and they go back to work intending to forget the whole thing (what is it with these dudes?).  Sharp notes that "it was a relief to get back to work, to order men about" which tells you something about his idea of a good time.

Meanwhile, Holmes has been to the library (uh oh), the folklore and mythology section (yipes!) and guess what he found?  You got it - The Necronomicon - cue two-page explanation of the Mythos According to Derleth, complete with name-dropping! Holmes is now righteously freaked out, but Sharp tries to dismiss the whole thing.

Not fer long.  The night watchman Jackson calls Sharp that evening to tell him that "big shadowy things" are coming out of the lake - "should I call the police?" he asks.  People are dumber than usual in this story.  Sharp rushes over to take a look.

On the scene, he witnesses 8-10 big shadowy things over the lake.  And finds Jackson's mutilated body.  The cops show up and question him - he gives dishonest answers that sound even more far-fetched than the truth would.

Holmes shows up with a Latin volume, the "confessions" of a Roman named Clithanus which make reference to creepies sorta like what they seem to be dealing with, and how they were driven beneath the waters and sealed away using "blessed stars". Holmes has his eureka.  If they can just find those "blessed stars" - whatever they are!

Their nebulous plan is interrupted by the sounds of riot at Municipal Pier.  As they drive out, they hear a cacophony of screaming, laughing - but also snarling, whistling, and sucking sounds.  They are turned away by a phalanx of cops.

The next day there are reports of 22 dead on the pier, the sighting of the beasties, and an incident of mass hysteria and violence.  For no explicable reason, the local papers treat it all as something of a joke (??!!??).  Tennant decides the best course of action is to get some buddies with machine guns and go down and dust these monsters when they come up out of the lake.  Holmes and Sharp ineffectually try to stop him and end up watching even more ineffectually from a distance as this plan goes horribly wrong, and most of Tennant's men are killed (Tennant survives but suffers a complete psychological breakdown).  In Tennant's pocket, Holmes finds a star-shaped stone (DAH DUM!!)

The next day Tennant is sane enough again, and informs that he found the star-stone by the side of the lake.  The dredge had brought up about fifty of them, and Tennant, for no apparent reason, decided to grab one.  Sharp and Holmes hightail it over to the lake, where they find the star-stone pile untouched. They load them into a crate and sail out onto the lake at dusk, where they board a barge, draw a pentacle - decorating it with star-stones, and read a banishing ritual from Clithanus.

There is a great whispering and whistling sound.  The star-stones begin to glow, and the whole sky lights up.  Sharp passes out like a good Lovecraftian hero.

He wakes up, still on the barge.  All is quiet.  Holmes is there too, unconscious.  The star-stones have checked out.  The barge is surrounded by stinky green slime.  Sharp and Holmes head home.  Holmes explains that what he missed was The Elder Gods, in the form of great pillars of fire, descending from the skies and whacking the gloop-monsters once and for all with beams of light.  

Well ... that was a ride!

I first came across "The Horror from the Depths" in a little book called Colonel Marksean and Less Pleasant People, an Arkham House pub that I found in my local library when I was 14.  At that particular moment, putting my hands on an actual Arkham House book was the most exciting thing I could imagine short of putting my hands on an actual girl!  So I took it home and devoured it, mostly while cutting school.  

Colonel Markesan is the "cream" of a group of stories co-written by August Derleth and Mark Schorer, a fellow aspiring author from Sauk City, WI.  The way the intro tells it, the two of them shacked up in a cabin on a lake in the summer of 1931, and ground out a plethora of quickie horror stories for the Weird Tales market.  As I remember the book the stories were nothing special but were fun reads, and it amusingly checked off a whole list of standard horror themes:  werewolf - check, vampire - check, ghost - check.  No surprise Derleth crammed in a couple of Cthulhus while hitting the check boxes.  I also thought this sounded like a lot of fun and wished I had a fellow horror-loving aspiring author I could shack up with in college and just crank out horror stories (it never happened).

Decades later Peter Ruber's Arkham's Masters of Terror came long to blow my bubble.  It turns out Schorer and Derleth were hardly buddies - Schorer was a rich kid who looked down on Aug's working-class mein but buddied up to him when he learned he was actually publishing fiction.  Aug took pity on the little turd and helped him by dropping by the cavern in the wee hours and leaving him some outlined plots, which Schorer would then write up.  Over the years, Schorer became a noted Wisconsin regionalist, like Derleth himself.  But he also blatantly and extensively plagiarized Derleth on numerous occasions, an act Derleth took him to task for, and which Schorer ultimately owned up to (after Derleth had passed).  

While I'll revisit the Colonel one day, for now I'll stay with this'n.  "Horror from the Depths" is decidedly tepid stuff, with an uninteresting menace, conclusion, and laughable lapses of logic, especially when it comes to the characters' behavior.  While the plot does indeed seem like boiler-plate Derleth-Lovecraft riff, Schorer's prose style is decidedly less compelling than Aug's, which was usually effective and atmospheric, even at his worst.  This is very minor-league stuff.

"Something From Out There"

by August Derleth
originally published Weird Tales, January 1951

Dr. William Currie of the coastal English town of Lynwold is woken in the night by the constable - he's brought Geoffrey Malver, scion of the local lord Malver, whom he found "out of his head" in the town.  Geoff is indeed checked out, clutching a star-shaped stone, and babbling about "something from out there"... The star-shaped stone has an inscription on it, written by no less than the Augusine, Bishop of Hippo (which is awesome because it means the English have an even sillier title than "Earl of Sandwich), which reads that it imprisons something "accursed in the sight of God, follower of Mad Cthulhu."  Woo hoo - pay dirt!.  

Currie can't get very far with Geoff, who was apparently farting around the skeleton of a ruined cathedral in the area, and a meeting with Lord Malvern yields little except that there was some scandal of some sort over at Oxford U, where Geoff has been a student, that led to the expulsion of two of Geoff's frat brothers, one Soames Hemery and one Duncan Vernon.  This line of investigation is temporarily curtailed when some local kids turn up - having been lost in some coastal caves which they found through a tunnel system they discovered in the ruins of the same aforementioned cathedral.  Said kids also came upon the corpse of a local fisherman, which is in a bad state being both crushed, and frozen!

After some persuading, Hemery and Vernon admit that their expulsion was the result of their studies and dablling in black magic (since apparently getting incoherently drunk and attempting to rape co-eds wasn't a thing yet).  Geoff, the least indoctrinated of them, had trucked out to the cathedral looking for proof or some such, and had apparently pried the star-stone off a sealed casket of some kind, thus releasing an Ick From Beyond which is presumably now couch-surfing in the caves while killing anyone unlucky enough to cross its path, thus making itself stronger.  The game's afoot, Currie!  The three of them rush off the the cathedral to save the world!

En route, they are intercepted by a farmer who's just watched one of his hands get mangled by a big moving shadow (Farmer Jonathan watched this happen through a pair of field glasses - apparently he lacked female neighbors).  In any case, the field hand is, like the fisherman, both crushed and frozen.  No matter - to the cathedral!

There our heroes confront the Thing, described as a shadowy, "greenish hulk" (no, not that greenish hulk!) with tentacles and three eyes, and engage in an allegedly epic battle (I say allegedly because Derleth actually just tosses it off in a couple sentences stating that the battle was lengthy and "endless") before forcing it back in its box and sealing it back up with the star-stone.  The world saved, our intrepid band heads off for the local pub, but Currie still wonders what other horrors might be sealed up, somewhere, waiting to be released...

This is obviously pretty Lovecraft-Lite stuff and no classic.  Yet it's also curiously buried, having not appeared in any of Derleth's collections of Cthulhu-ery - it's still a bit on the rare side, publication-wise.  This is kinda too bad since it is far from terrible and actually has some good points.  There's a reasonable bit of atmosphere, and, for a change, when Hemery and Vernon explain the Mythos, the whole thing is dashed off in a quick paragraph with fleeting references to the usual suspects, as opposed to the usual tiresome lecture and endless name-dropping and bibiliography Derleth usually indulges in at this point in his Lovecraft-type stories.  

The final portion is odd, and feels very rushed, as if Derleth somehow needed to shut down real fast.  The monster is only vaguely (and thus effectively) described, but the "epic" battle, as mentioned, is simply tossed off as an afterthought.  I was left wondering what a more action-oriented writer, such as Robert E. Howard, might have done with such a scene.  It feels like a missed opportunity that could have delivered a nice payoff after a solid buildup.  

By no means any classic, but still one of Auggie's better ventures into this territory.  It deserves greater availability.